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beck的专辑(5张)
专辑：Midnite Vultures
歌手：beck
语种：国语 | 唱片公司： | 发行时间：1999-01-01
介绍：
By calling the muted psychedelic folk-rock, blues, and tropicalia of Mutations a stopgap, Beck set expectations for Midnight Vultures unreasonably high. Ironically, Midnite Vultures doesn't feel like a sequel to Odelay — it's a genre exercise, like Mutations. This time, Beck delves into soul, funk, and hip-hop, touching on everything from Stax/Volt to No Limit but using Prince as his home base. He's eschewed samples, more or less, but not the aesthetic. Even when a song is reminiscent of a particular style, it's assembled in strange, exciting ways. As it kicks off with "Sexx Laws," it's hard not to get caught up in the rush, and "Nicotine & Gravy" carries on the vibe expertly, as does the party jam "Mixed Bizness" and the full-on electro workout "Get Real Paid," an intoxicating number that sounds like a Black Album reject. So far, so good — the songs are tight, catchy, and memorable, the production dense. Then comes "Hollywood Freaks." The self-conscious gangsta goof is singularly irritating, not least because of Beck's affected voice. It's the first on Midnite Vultures to feel like a parody, and it's such an awkward, misguided shift in tone that it colors the rest of the album. Tributes now sound like send-ups, allusions that once seemed affectionate feel snide, and the whole thing comes off as a little jive. Musically, Midnite Vultures is filled with wonderful little quirks, but these are undercut by the sneaking suspicion that for all the ingenuity, it's just a hipster joke. Humor has always been a big part of Beck's music, but it was gloriously absurd, never elitist. Here, it's delivered with a smug smirk, undercutting whatever joy the music generates.
歌手：beck
语种：国语 | 唱片公司： | 发行时间：1999-01-01
介绍：
By calling the muted psychedelic folk-rock, blues, and tropicalia of Mutations a stopgap, Beck set expectations for Midnight Vultures unreasonably high. Ironically, Midnite Vultures doesn't feel like a sequel to Odelay — it's a genre exercise, like Mutations. This time, Beck delves into soul, funk, and hip-hop, touching on everything from Stax/Volt to No Limit but using Prince as his home base. He's eschewed samples, more or less, but not the aesthetic. Even when a song is reminiscent of a particular style, it's assembled in strange, exciting ways. As it kicks off with "Sexx Laws," it's hard not to get caught up in the rush, and "Nicotine & Gravy" carries on the vibe expertly, as does the party jam "Mixed Bizness" and the full-on electro workout "Get Real Paid," an intoxicating number that sounds like a Black Album reject. So far, so good — the songs are tight, catchy, and memorable, the production dense. Then comes "Hollywood Freaks." The self-conscious gangsta goof is singularly irritating, not least because of Beck's affected voice. It's the first on Midnite Vultures to feel like a parody, and it's such an awkward, misguided shift in tone that it colors the rest of the album. Tributes now sound like send-ups, allusions that once seemed affectionate feel snide, and the whole thing comes off as a little jive. Musically, Midnite Vultures is filled with wonderful little quirks, but these are undercut by the sneaking suspicion that for all the ingenuity, it's just a hipster joke. Humor has always been a big part of Beck's music, but it was gloriously absurd, never elitist. Here, it's delivered with a smug smirk, undercutting whatever joy the music generates.
专辑：Mutations
歌手：beck
语种：国语 | 唱片公司： | 发行时间：1998-11-01
介绍：
来自洛杉矶、被喻为「音乐拼贴美学大师」的Beck/贝克，总是创意十足的将hip-hop、rap、funk、scratch、民谣、灵魂、摇滚、蓝调、乡村、雷鬼、电子…等乐风，与扭曲的、讽刺的、奇想的、如诗一般的歌词天马行空结合。而在始终如高中生般年轻的外表下，Beck还拥有得天独厚、干净明亮又充满男性魅力的迷人高音音色。
94年以一曲风靡全美地下与另类摇滚电台、扬威英美排行榜的TOP10单曲“Loser”崭露头角，引发各大主流唱片公司签约争夺战。投效Geffen唱片后推出首张大碟「Mellow Gold」，获Spin10分满分评价，更入选滚石、Spin、Q等音乐杂志94年度最佳专辑之列。96年专辑「Odelay」展现强烈的颠覆性及自我风格，获滚石杂志与洛杉矶时报4颗星推介，抱回英国音乐奖「最佳国际艺人」、MTV音乐录像带奖「最佳男艺人」等大奖！ 98年再获滚石杂志4颗星的「Mutations」，给人耳目一新的Space Age Folk Rock感受！99年「Midnite Vultures」将最土最草根的音乐元素到最酷最新潮的新世代精神，作了最精彩的化学实验，滚石杂志继续送上4颗星！
歌手：beck
语种：国语 | 唱片公司： | 发行时间：1998-11-01
介绍：
来自洛杉矶、被喻为「音乐拼贴美学大师」的Beck/贝克，总是创意十足的将hip-hop、rap、funk、scratch、民谣、灵魂、摇滚、蓝调、乡村、雷鬼、电子…等乐风，与扭曲的、讽刺的、奇想的、如诗一般的歌词天马行空结合。而在始终如高中生般年轻的外表下，Beck还拥有得天独厚、干净明亮又充满男性魅力的迷人高音音色。
94年以一曲风靡全美地下与另类摇滚电台、扬威英美排行榜的TOP10单曲“Loser”崭露头角，引发各大主流唱片公司签约争夺战。投效Geffen唱片后推出首张大碟「Mellow Gold」，获Spin10分满分评价，更入选滚石、Spin、Q等音乐杂志94年度最佳专辑之列。96年专辑「Odelay」展现强烈的颠覆性及自我风格，获滚石杂志与洛杉矶时报4颗星推介，抱回英国音乐奖「最佳国际艺人」、MTV音乐录像带奖「最佳男艺人」等大奖！ 98年再获滚石杂志4颗星的「Mutations」，给人耳目一新的Space Age Folk Rock感受！99年「Midnite Vultures」将最土最草根的音乐元素到最酷最新潮的新世代精神，作了最精彩的化学实验，滚石杂志继续送上4颗星！
专辑：Odelay
歌手：beck
语种：国语 | 唱片公司： | 发行时间：1996-01-01
介绍：
Beck's debut, Mellow Gold, was a glorious sampler of different musical styles, careening from lo-fi hip-hop to folk, moving back through garage rock and arty noise. It was an impressive album, but the parts didn't necessarily stick together. The two albums that followed within months of Mellow Gold — Stereopathetic Soul Manure and One Foot in the Grave — were specialist releases that disproved the idea that Beck was simply a one-hit wonder. But Odelay, the much-delayed proper follow-up to Mellow Gold, proves the depth and scope of his talents. Odelay fuses the disparate strands of Beck's music — folk, country, hip-hop, rock & roll, blues, jazz, easy listening, rap, pop — into one dense sonic collage. Songs frequently morph from one genre to another, seemingly unrelated genre — bursts of noise give way to country songs with hip-hop beats, easy listening melodies transform into a weird fusion of pop, jazz, and cinematic strings; it's genre-defying music that refuses to see boundaries. All of the songs on Odelay are rooted in simple forms — whether it's blues ("Devil's Haircut"), country ("Lord Only Knows," "Sissyneck"), soul ("Hotwax"), folk ("Ramshackle"), or rap ("High 5 (Rock the Catskills)," "Where It's At") — but they twist the conventions of the genre. "Where It's At" is peppered with soul, jazz, funk, and rap references, while "Novacane" slams from indie rock to funk and back to white noise. With the aid of the Dust Brothers, Beck has created a dense, endlessly intriguing album overflowing with ideas. Furthermore, it's an album that completely ignores the static, nihilistic trends of the American alternative/independent underground, creating a fluid, creative, and startlingly original work.
歌手：beck
语种：国语 | 唱片公司： | 发行时间：1996-01-01
介绍：
Beck's debut, Mellow Gold, was a glorious sampler of different musical styles, careening from lo-fi hip-hop to folk, moving back through garage rock and arty noise. It was an impressive album, but the parts didn't necessarily stick together. The two albums that followed within months of Mellow Gold — Stereopathetic Soul Manure and One Foot in the Grave — were specialist releases that disproved the idea that Beck was simply a one-hit wonder. But Odelay, the much-delayed proper follow-up to Mellow Gold, proves the depth and scope of his talents. Odelay fuses the disparate strands of Beck's music — folk, country, hip-hop, rock & roll, blues, jazz, easy listening, rap, pop — into one dense sonic collage. Songs frequently morph from one genre to another, seemingly unrelated genre — bursts of noise give way to country songs with hip-hop beats, easy listening melodies transform into a weird fusion of pop, jazz, and cinematic strings; it's genre-defying music that refuses to see boundaries. All of the songs on Odelay are rooted in simple forms — whether it's blues ("Devil's Haircut"), country ("Lord Only Knows," "Sissyneck"), soul ("Hotwax"), folk ("Ramshackle"), or rap ("High 5 (Rock the Catskills)," "Where It's At") — but they twist the conventions of the genre. "Where It's At" is peppered with soul, jazz, funk, and rap references, while "Novacane" slams from indie rock to funk and back to white noise. With the aid of the Dust Brothers, Beck has created a dense, endlessly intriguing album overflowing with ideas. Furthermore, it's an album that completely ignores the static, nihilistic trends of the American alternative/independent underground, creating a fluid, creative, and startlingly original work.
歌手介绍
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